Yareah Magazine

Issue 3 - Numero 3
Symbols of Greed and Power PDF Print E-mail
  
Thursday, 01 January 2009 00:00

Jess C. ScottJess C Scott

EnglishIn Nordic mythology, the figure of the dragon was used as a symbol of material greed. The dragon acquired clearly negative associations, unlike its relatively benevolent (unless angered) counterpart in Eastern mythology.
Nordic dragons frequently return to the idea of the Ouroboros, a symbol of the universe and eternal renewal. This symbol is represented by a serpent devouring its own tail to sustain its life. In Norse mythology, this serpent is known as Jörmungandr.
Historically, the dragon appears in the carved figureheads on the prows of Viking longships. They were said to endow keen eyesight. They were also a symbol of destruction and chaos in Viking lore. To their enemies, Viking longships became generally known as “the dragons”.


The Dragon in The Song of the Nibelungs

In The Song of the Nibelungs, Fafnir was the son of the magician Hreidman, who had been corrupted by a cursed ring called Andvarinaut. Fafnir's greed grew to be so great, that it not only made him monstrous in nature, but also monstrous in form. Thus, he turned into a terrible dragon. Over a period of time, he managed to collect a massive number of treasures and vigilantly guarded this hoard.
Throughout history, many European stories of dragons have them guarding a treasure hoard. The influence from classic texts is evident. Both Fafnir and Beowulf's dragon guarded earthen mounds full of ancient treasure. The treasure drew many valiant heroes to the lair in search of both wealth and fame, and brought ill to those who later possessed it.


The Ring


One might be naturally inclined, to draw similarities between the Ring in Tolkien’s epic, The Lord of the Rings, with the Nibelung's Ring. Tolkien personally disliked the comparison of his Ring with the Nibelungenlied.
The similarities that do exist, are broad and general. Both Rings are symbols of power. Both carry with them an ability to inspire a lust for power. Ownership of the Ring carries a price to be paid. Also, one has the freewill to take, or leave, the Ring in the first place.
In essence, Sauron's Ring possesses the evil power of its maker, whereas the Nibelung's Ring is derived from the sacred Rhinegold (though Alberich later lays a curse upon the Ring). Sauron’s Ring works subtly, playing upon the desires and particular motives of those who come upon it.In terms of creative background, both Rings have a common ancestry. In the context of their respective settings, they are significantly distinct from each other as well.

BIOGRAPHY

Jess C Scott

EnglishJess C Scott is primarily a writer/novelist/poet.
According to the MBTI, her personality type is the INFJ.
She is currently working on her third book, and maintains a bunch of websites, which are listed on her personal site.

 
 
      
Last Updated ( Sunday, 20 September 2009 18:55 )
 
Richard Wagner's the Ring of Nibelung PDF Print E-mail
  
Thursday, 01 January 2009 00:00

Larry BrownDr. Larry Brown

EnglishRichard Wagner took 25 years (1848-1874) to complete what he called his master artwork of the future: THE RING OF THE NIBELUNG (Rhinegold, Valkyrie, Siegfried and Twilight).

After writing a full prose sketch of the main narrative in 1848, Wagner first wrote the poetry for the tragedy of Siegfried's Death (Gotterdammerung in its final form) with extensive exposition explaining the mythical past. He soon came to realize that he needed to present the events leading up to Siegfried's death in more detail and in dramatic form, that is, acted in full on stage rather than as narration. So next he added a "prequel" Young Siegfried, then eventually wrote the text to Rhinegold and Valkyrie to complete the four-part cycle.
He completed composition of the music to Rhinegold in 1854, Valkyrie in 1856, but after composing Acts 1 and 2 of Siegfried he despaired of ever finishing his masterwork, and didn't complete the third opera until 12 years later. The first festival presentation at Bayreuth of the entire Ring Cycle occurred in 1876.
Mythological Background
Wagner created his Ring by adapting the myths from several sources (13th century AD): the Icelandic works Poetic Edda, Prose Edda (by Snorri Sturluson), and Volsunga saga, and in German the Niebelungenlied, are among the major sources. But Wagner transformed the original myths to meet his dramatic requirements.

In the Volsunga Saga, Siegmund (who is not Odin's son in the original) obtains his sword from the tree, mates with Signy his sister unknowingly (she's in disguise), and kills her cruel husband but she dies with her husband in a fire. By another wife, Siegmund has Sigurd (Siegfried). Siegmund is killed in battle when Odin smashes his sword (but not as punishment for incest). Sigurd is brought up at the court of Denmark, with Regin (Fafner's brother) as ward (story of the dragon slayer).

At this point Norse and Germanic versions diverge: Wagner follows Volsunga Saga more closely, concerning Sigurd's discovery of Brünnhilde in the ring of fire, his falling in love with Kriemhild (Gutrune) by the magic potion, and his death except Sigurd is killed in bed by Hogni (Hagen), not during the forest hunt.

In the Nibelungenlied, Siegfried (called Sivrit) is a prince, son of Siegmund and Sieglinde, king and queen of Netherland, who grows up in a palace, marries Gutrune before meeting Brünnhilde (Prunhilt), an Icelandic queen whom he wins in an athletic contest for Gunther (Wagner rejected the medieval chivalry of this account and only borrowed details of Siegfried's death during the hunt from this version).
BIOGRAPHY

Dr. Larry Brown

EnglishDr. Larry Brown, professor of English and Bible, Lipscomb University, Nashville TN
PhD in Dramatic Arts, Masters in Religion have taught mythology for about 10 years as a literature course directed theater for 23 years.

 

Last Updated ( Sunday, 20 September 2009 18:53 )
 
Slight Mirror PDF Print E-mail
  
Thursday, 01 January 2009 00:00

Martín CidMartin Cid

http://www.yareah.com/images/bandera1_p.gifOnce upon a time, there was a poor man called Felipe. He lived in a very old town, on an invincible mountain, near an unfriendly river, under a burning sun.
A scorpion bit a frog: a sad little frog.
Faust cheated a man: a weak young man.

Last Updated ( Sunday, 20 September 2009 18:52 )
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La sangre de Sigfrido PDF Print E-mail
  
Thursday, 01 January 2009 00:00

 Alex RabanalAxel Rabanal

EnglishCuando era niño siempre me fascinó la mítica historia del héroe escandinavo Sigurd (o Siegfried), matador del dragón cuya sangre volvió su cuerpo invulnerable, excepto en una pequeña parte de su espalda, situada a la altura de su hombro derecho, donde se adhirió una hoja que impidió el contacto del fluido mágico con su piel, lo que se convirtió en su único punto débil y la causa de su muerte.

Last Updated ( Sunday, 20 September 2009 18:51 )
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Los Nibelungos en el Cine PDF Print E-mail
  
Thursday, 01 January 2009 00:00

Enrique DueñasEnrique Dueñas

EnglishEn la actualidad, el cine hace el papel que hacían los poetas hace mil años. Ayuda a formar nuestro juicio y concepción de la belleza.
”El Cantar de los Nibelungos” es una de las más importantes obras de la literatura medieval y ha sido objeto de diversas adaptaciones fílmicas:

Last Updated ( Sunday, 20 September 2009 18:50 )
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