| The Choice between the reality of existence and a veil of beauty |
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| Friday, 01 January 2010 00:00 | |||
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The metaphysical appeal of the tragic is the Dionysian wisdom in the language of the image: the hero, the highest appearance of the will. the superior. The critic distinguished bipartition in the artistic development. He described two drifts, named after the gods of art: the rational Apollonian and passionate Dionysian. To him both were represented in each art form. We visualize them respectively as the separate artistic worlds of the dream and of intoxication. ( intellect and will) Representing an ideal world, Apollonian appearance aims at order, beauty, regularity and radiant glorification. It triumphs over the inherent suffering of life, erases misery from nature’s image, it’s divine appearance tears humans away from self destruction. Dionysian reality shows us of the immense lust of existence and its ecstasy. We are forced to accept the horrors of existence, experience the struggle, the torture. This creative and healthy energy brings about change, movement, chaos, creation, destruction, truth. The nature copying Apollonian Greek regarded the Dionysian effect as barbarian. He believed weak people longed for the imaginary, ideal world because of their fear of death. He advised to live dangerously in order to experience fully. The true artistic goal of Apollo is supplying a divine illusion, a veil of beauty to cover existence. In an individual’s consciousness a healthy balance of Dionysian and Apollonian will compel the drifts to develop their strengths. Read more about Dominique d'Orange: Contact: Isabel del Río, arts editor:
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| Last Updated ( Tuesday, 15 December 2009 18:19 ) | |||
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Ann Timmermans and Dominique d'Orange 
