Last days: Miniatures best exhibition

Last days: Miniatures best exhibition
Yareah Magazine


Last days for the miniatures collection of Museo del Prado in Madrid.

11th October 2011 – 26th February 2012

Room 100 (Floor -1)

The Museo del Prado has organised the first exhibition of a significant part (36 miniatures and 3 small portraits) of its little-known collection of miniatures. At the presentation of the exhibition the Museum also provided details of the new publication, which offers the first compilation and analysis of the 164 miniatures and 16 small portraits that make up this interesting and significant part of its collection.

Painted in gouache on vellum, small ivory panels or paper, miniatures represented the most intimate side of painting and in general related to the private realm. They also, however, acquired functions of State given that jewels containing miniatures were given by monarchs to ambassadors and foreign emissaries on the occasions of their ascents to the throne, royal weddings and the signing of treatises, concords and agreements. Miniatures were also used to commemorate successful military undertakings and the completion of special missions.



Miniatures in the strict sense of the term did not exist in Spain until the 18th century so the function played by miniatures at other European courts was fulfilled in Spain by small portraits known as retratico or retrato de faltriquera, hence the importance of the three examples on display in the exhibition. The Spanish school is the one most extensively represented in the Prado’s collection, with 76 works, a number that has enabled the author to fully assess the importance of Spanish miniatures and to locate a considerable number of Spanish miniaturists among the leading names in Europe. From now on, artists such as Guillermo Ducker, José Alonso del Rivero, Luis de la Cruz y Ríos, Florentino Decraene, Cecilio Corro, Juan Pérez de Villamayor, Manuel Arbós and Antonio Tomasich will occupy the position that they deserve within the Prado’s collection while their output is now much better known, given the exceptional quality of some of the miniatures in the Prado. The collection also includes a significant group of works by Austrian, Italian, French, English, German and Portuguese artists dating from the second half of the 18th century to the early 20th century. Prior to the publication of this catalogue raisónne and in conjunction with its preparation, almost all the works included in it were cleaned and/or restored by technical staff at the Museo del Prado.


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